Announcing the next book: Rubble Masonry, a collection of lyric essays, out from LSU Press, 2026
Upcoming Events
April 3, 2025
Oxford Conference on the Book
poetry panel
with Beth Ann Fennelly, Philip Metres, and Julia Dasbach
Oxford, MS
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April 2025
Whitman College
details TBA
Walla Walla, WA
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February 17, 2025
Speaker Series with Jessica Jacobs
Cowee School Arts & Heritage Center
Franklin, NC
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April 2025
Linfield University
details TBA
McMinnville, OR
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To schedule a reading or workshop, in-person or online, please get in touch.
![](https://images.squarespace-cdn.com/content/v1/648cabd0cc47f163d21991d9/5c888c69-06ed-4475-92bb-77ce39e88a6f/Rose_Spread2.jpg)
from Killing the Negative
a project by Joel Daniel Phillips and Quraysh Ali Lansana
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Collaborations
Rose contributed three poems to Killing the Negative, a project of artist Joel Daniel Phillips and writer Quraysh Ali Lansana. While looking through Farm Security Administration (FSA) photographs from the Great Depression, Phillips stumbled upon a 1936 photograph by Walker Evans with a gaping black hole in the center. This chance discovery of a “killed negative” led to the creation of a touring exhibit and a book--and a complex exploration of the intersections of representation, truth, and power.
Publishing Prose
Rose’s recent essays “Storied” and “Negative” appear in Ecotone, Bluestem, and Zone 3. Appalachian Places featured three of her lyric essays. Several more of her essays are available online: "Another Inscrutable House" in Annulet: A Journal of Poetics, "Weights and Measures," in Shenandoah, "Blue Prints" in Blackbird, and her contribution to "Lay of the Land" in Orion. Others have recently appeared in Seneca Review, The Common, Cutbank, and Global South.
Editing Projects
A Literary Field Guide to Southern Appalachia, which Rose co-edited with Laura-Gray Street and L. L. Gaddy, was included in Barbara Kingsolver’s recommended books in an article in The New York Times.
As editor of Southern Humanities Review and in collaboration with the Jule Collins Smith Museum of Art at Auburn University and Alabama poet laureate Ashley M. Jones, Rose was a part of creating “as if we are here meeting eye to eye.” This poetry feature, which takes its title from a poem by Kwoya Fagin Maples, is a collection of works created in response to the photography of RaMell Ross, a visual artist whose objects explore the Black Experience, particularly in relation to the American South.