Announcing the next book: Rubble Masonry, a collection of lyric essays, out from LSU Press, 2026

Upcoming Events

October 30, 2024

Soul Waters Rising: An Appalachian Pause

7:00pm

online benefit

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April 3, 2025

Oxford Conference on the Book

poetry panel

with Beth Ann Fennelly, Philip Metres, and Julia Dasbach

Oxford, MS

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November 8-9, 2024

Keynote address

Southern Aesthetics Workshop

Pebble Hill

Auburn, AL

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April 2025

Whitman College

details TBA

Walla Walla, WA

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February 17, 2025

Speaker Series with Jessica Jacobs

Cowee School Arts & Heritage Center

Franklin, NC

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April 2025

Linfield University

details TBA

McMinnville, OR

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 To schedule a reading or workshop, in-person or online, please get in touch.

from Killing the Negative

a project by Joel Daniel Phillips and Quraysh Ali Lansana

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Collaborations

Rose contributed three poems to Killing the Negative, a project of artist Joel Daniel Phillips and writer Quraysh Ali Lansana. While looking through Farm Security Administration (FSA) photographs from the Great Depression, Phillips stumbled upon a 1936 photograph by Walker Evans with a gaping black hole in the center. This chance discovery of a “killed negative” led to the creation of a touring exhibit and a book--and a complex exploration of the intersections of representation, truth, and power.

Publishing Prose

Rose’s recent essays “Storied” and “Negative” appear in Ecotone, Bluestem, and Zone 3. Appalachian Places featured three of her lyric essays. Several more of her essays are available online: "Another Inscrutable House" in Annulet: A Journal of Poetics,  "Weights and Measures," in Shenandoah, "Blue Prints" in Blackbird, and her contribution to "Lay of the Land" in Orion. Others have recently appeared in Seneca Review, The Common, Cutbank, and Global South.

Editing Projects

A Literary Field Guide to Southern Appalachia, which Rose co-edited with Laura-Gray Street and L. L. Gaddy, was included in Barbara Kingsolver’s recommended books in an article in The New York Times.

As editor of Southern Humanities Review and in collaboration with the Jule Collins Smith Museum of Art at Auburn University and Alabama poet laureate Ashley M. Jones, Rose was a part of creating “as if we are here meeting eye to eye.” This poetry feature, which takes its title from a poem by Kwoya Fagin Maples, is a collection of works created in response to the photography of RaMell Ross, a visual artist whose objects explore the Black Experience, particularly in relation to the American South.